ソーシャルメディア投稿 - 黒の超現実的な男性

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ソーシャルメディア投稿 - 黒の超現実的な男性

引用元：Mr. Tariq

クリエイティブopenai/gpt-image-2#クリエイティブ#縦長 9:16#ミニマリズム#UIデザイン#シネマティック

無限の白い部屋にいる黒い服の男性の超リアルなシーン。

9.6w人が使用中

4:5推奨サイズ

1.8wお気に入り数

プロンプトテンプレート

Create a hyper-realistic surreal cinematic vertical artwork of a solitary {argument name="subject" default="young adult man"} standing completely still in the exact center of an enormous infinite white room. He faces the camera frontally with a calm, unreadable expression, hands in the pockets of a long black wool overcoat layered over a black hoodie, black trousers, and black sneakers. Use {argument name="face detail" default="a softly blurred anonymous face"} while keeping the pose and body realistic. Around him, gravity-defying glossy black water rises upward from the reflective floor in elegant liquid arcs and twisting splash forms, like dark ink sculpted into waves on both sides of his body, with many suspended droplets and beads frozen midair. Above him and receding deep into the background, show exactly 35 open black umbrellas floating upside-down or suspended in rows at varying depths, including one very large umbrella centered above his head, with curved J handles visible; the umbrellas create a tunnel-like perspective. Heavy rain falls vertically throughout the scene from ceiling to floor, streaking across the frame. The environment is minimalist and monochrome: bright white luminous walls, glossy mirror-like floor, faint vertical light panels along the sides, deep perspective vanishing point behind the subject, and strong reflections of the man, umbrellas, raindrops, and black water on the wet floor. Visual style: ultra-realistic, high-detail, surreal fashion editorial, dark cinematic mood, cool gray-white lighting, sharp central subject, slight depth-of-field blur on distant umbrellas and foreground splashes, dramatic contrast between black clothing/liquid and the white room. Composition: vertical 3:4 portrait, centered symmetry, full-body view, low-to-mid camera height, no text, no logos, no watermark.