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漫画/故事板 - 召唤术 i2i 漫画提示词
案列来源:Eris Create Lab
角色 & 设定
openai/gpt-image-2
#角色
#漫画
#动漫
#参考图
将参考角色转化为戏剧性漫画风格的召唤场景。
4.1w
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4.3w
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Using the character from the reference image, depict the moment the 'Summoning Jutsu' is activated. Accurately maintain the character's face, hairstyle, hair color, eyes, ears, costume, silhouette, body proportions, and atmosphere. Do not break the character's identity. Do not use the reference image as-is; redraw it naturally according to the situation and composition. The character is performing actions recognizable as activating the Summoning Jutsu, such as slamming a hand onto the ground, unfurling a scroll, or forming hand signs. Vary the pose and action for each image. Simultaneously, a massive ritual circle is spreading across the ground with black curse patterns, a circular array, and ink-like effects. A large amount of white smoke is explosively appearing. From the smoke, a giant entity contracted with the character fully emerges. The summoned being should be depicted as strongly linked to the character's worldview, personality, and design. It should not be a mere animal but possess a mythical, monstrous, mechanical, or fantastical presence. It is overwhelmingly larger than the character. Place the character in the foreground and the summoned being gigantically in the background. Use a low camera angle. Create impact like a Shonen manga spread. Add focus lines, ground destruction, flying debris, and smoke flows. Add manga-style onomatopoeia like 'Doron!!', 'Summoning Jutsu!!', or 'Gogogogo'. Add an old scroll-style information frame at the edge of the screen containing the summoned being's name, alias, and a short description. Keep the text brief. The presentation should feel like a sudden dangerous entity introduction in a manga spread, not a technical reference sheet. Use high-energy direction like 90s-2000s Jump manga. Maintain anime illustration style. High density, high contrast, dramatic lighting, and strong silhouettes. A composition that instantly catches the eye on social media.
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